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  Praise for Liza Marklund

  ‘Liza Marklund’s entertaining series has followed the exploits of Annika Bengtzon, an ambitious reporter on a Swedish tabloid newspaper … An enjoyable thriller, whose melodramatic climax is everything a tabloid could hope for’ Sunday Telegraph

  ‘Liza Marklund is in a league of her own thanks to her intelligent stories, her confident writing and her radical view on society. There is no doubt about it’ Henning Mankell

  ‘Liza Marklund’s thrillers are beautifully structured and tautly written. Dynamic plots with suspense throughout’ Kathy Reichs

  ‘An astonishing talent … Liza Marklund’s thrillers are stellar examples of those qualities inherent in the best fiction. She wholly immerses the reader in her world, and she writes with consummate intelligence, consistency and passion’ Jeffery Deaver

  ‘It’s obvious why Liza Marklund is such a popular writer, and so beloved by her loyal fans … Her storytelling captivates readers, keeping them guessing right to the end with twists and turns you never see coming … I am but one member of a steadily growing group of loyal fans’ Karin Slaughter

  ‘Liza Marklund is the next great Nordic export for fans of crime fiction to discover. Her books deliver edge-of-your-seat suspense, sophisticated plotting, complex characterization, and unique locales. Enjoy!’ Harlan Coben

  ‘It’s no accident that Liza Marklund is one of the most dynamic and popular crime writers of our time’ Patricia Cornwell

  Liza Marklund is an internationally bestselling author, journalist and columnist. She co-owns Sweden’s third biggest publishing house, Piratforlaget and lives in Stockholm with her husband and three children.

  Liza’s website is www.lizamarklund.com and her Facebook page is www.facebook.com/LizaMarklund.

  Also by Liza Marklund:

  Red Wolf

  Exposed

  Studio Sex

  The Bomber

  Studio 69

  Paradise

  The Postcard Thrillers (with James Patterson)

  Nobels Last Will

  A Place in the Sun

  Lifetime

  Exile

  New Voices Sing Old Songs

  Underground

  First published in Great Britain by Simon & Schuster UK Ltd, 2006

  This edition published by Simon & Schuster UK Ltd, 2011

  An imprint of Simon & Schuster UK Ltd

  A CBS COMPANY

  Copyright © Liza Marklund, 2002

  English language translation copyright © 2006

  By Ingrid Eng-Rundlow

  This book is copyright under the Berne Convention.

  No reproduction without permission.

  All rights reserved.

  The right of Liza Marklund to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act, 1988.

  Simon & Schuster UK Ltd

  1st floor

  222 Gray’s Inn Road

  London WC1X 8HB

  www.simonandschuster.co.uk

  Simon & Schuster Australia, Sydney

  Simon & Schuster India, New Delhi

  A CIP catalogue record for this book

  is available from the British Library

  ISBN: 978-1-84983-513-8

  eBook ISBN: 978-1-84983-943-3

  This book is a work of fiction. Names, characters, places and incidents are either a product of the author’s imagination or are used fictitiously.

  Any resemblance to actual people living or dead, events or locales is entirely coincidental.

  Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY

  PRIME TIME

  CONTENTS

  FRIDAY, 22 JUNE: MIDSUMMER EVE

  SATURDAY, 23 JUNE: MIDSUMMER DAY

  SUNDAY, 24 JUNE

  MONDAY, 25 JUNE

  TUESDAY, 26 JUNE

  FRIDAY, 22 JUNE:

  MIDSUMMER EVE

  I can’t take this, Annika thought. I’m dying. She pressed her palms against her forehead, forcing herself to breathe regularly and calm down. The pile of baggage by the front door mushroomed before her eyes, a shapeless blob threatening to conquer the hall and the entire world that was impossible to take stock of. How on earth would she figure out what she had forgotten?

  There were the kids’ clothes, the beach bag, the packets of formula and jars of baby food, the rain gear and the rubber boots, the tent, the baby carriage and its rain hood, the sleeping bags, the backpacks with her own and Thomas’s stuff, the security blanket and the cuddly toys …

  ‘Is Ellen supposed to look like that?’ Thomas wondered on the other side of the bedroom door.

  Annika looked at the one-year-old toddling over by the beach bag.

  ‘What do you mean?’

  ‘Don’t you have something nicer for her to wear?’

  She felt her brain short-circuit.

  ‘What’s wrong?’ she roared.

  Thomas brushed his hair off his forehead and blinked in astonishment.

  ‘I was only asking – what’s your problem?’

  Feelings of inadequacy, always lurking right below the surface, bubbled up and boiled over.

  ‘I’ve been busy packing all morning,’ Annika said, ‘but I didn’t pack any frilly dresses. Was I supposed to?’

  He snorted.

  ‘I only wondered if the kid had to look like a construction worker.’

  Five rapid steps brought her face to face with him and she glared.

  ‘A construction worker? What’s going on here? Are we going out to your parents’ summer place by the seaside, or is this some fucking final exam in being well adjusted?’

  Thomas’s surprise was genuine: Annika hardly ever challenged him. The force of the rage that enveloped him was paralysing – he opened his mouth to yell at her, but no sound emerged. Instead, one of the countless electronic devices that they owned sounded off, insistently and increasingly louder.

  ‘Is that mine or yours?’ Annika asked.

  Thomas turned and went into the bedroom to check his pager, his cellphone and his Palm Pilot. Annika’s gaze surveyed the chaos in the hall without being able to locate the source of the signal.

  ‘It’s not anything in here,’ Thomas called out.

  Annika started to rummage through their belongings. The muffled buzzing was coming from somewhere in the pile. Ellen tried to stand while holding on to Annika’s bag, but it slipped away and she fell face first on the floor.

  ‘Oh, my goodness! Mommy’s going to kiss that, boo-boo, and make it better …’

  The terrified sobs of the child drowned out the buzzing. With a soothing murmur Annika pulled her daughter close, inhaling her sweet scent, feeling her softness and warmth. They sat on the shoe stand and the small figure relaxed, thumb in mouth. By the time the crying had ceased, the buzzing had stopped too and the phone started ringing instead. Still holding her daughter, she got up and wedged the phone in between her shoulder and her ear while continuing to comfort Ellen.

  ‘Heard the news?’ Spike, the news-desk editor, demanded.

  Annika rocked and soothed her daughter.

  ‘What?’

  ‘Out in the province of Sörmland, Michelle Carlsson.’

  She stopped her soothing motions and flicked her tongue quickly over her dry lips. The paper she worked for, Kvällspressen, barrelled into her hall with all the delicacy of a tank – totalitarian and omnipresent.

  ‘We’re talking about your old hunting grounds, right?’ the news-desk editor said. ‘The photographer’s already left. It was Bertil Strand, right?’

  The last sentence was directed at someone else, presumably the news editor, and Spike came back on the line.

  ‘Berra’s on his way, he’
ll be picking you up in five minutes.’

  ‘Did you pack the nappies?’ Thomas asked, taking Ellen.

  Annika nodded and pointed at the pile of stuff, trying to get a grip on the situation.

  ‘What’s up?’ she asked.

  ‘Don’t you have a flash?’

  Damn, the pager with the built-in newsflash service from TT. She grabbed her bag and rummaged through the contents without finding it.

  ‘Um,’ she mumbled, ‘I heard it go off, but I haven’t had time to check it.’

  ‘Michelle Carlsson’s been murdered. In a control room on the outskirts of Flen, shot in the head.’

  The words didn’t register, comprehension eluding her again. Thomas set Ellen on the floor and the girl headed straight for Annika, wobbling along with outstretched arms.

  ‘You’ve got to be kidding,’ she said.

  ‘Carl Wennergren’s at the scene. It seems he was there when they were taping the show yesterday, so we have a head start. Talk about timing.’

  The admiration in Spike’s voice was pure and unreserved. Annika heard him take a deep drag on his cigarette, the sounds of the newsroom coming across as an indistinguishable backdrop of noise. She sank back down on the shoe stand.

  ‘Berit’s over in Öland doing a piece about juvenile drinking sprees. She’s dropping everything and driving up there, so she should be there late this afternoon. Langeby’s vacationing in the Canary Islands, so you’re the only one left. You’ve got to leave on the double. Bertil Strand’s bringing everything we’ve got so far from the news agency, which amounts to virtually nothing, so you’ll have to call in on the way. Are you familiar with the Sörmland police force?’

  Annika closed her eyes, trying to bring her separate worlds together as she felt her daughter’s warm hand clasping her leg.

  ‘Pretty familiar.’

  ‘Talk to Wennergren, get a feel for the situation and call me … like around noon?’

  ‘Sure,’ she replied.

  Thomas stared at her, his shoulders going rigid.

  ‘What was that all about?’

  Annika hung up and met his gaze.

  ‘No,’ he said. ‘I don’t want to hear it. Not another fucking assignment, not today.’

  ‘Michelle Carlsson’s dead,’ Annika said, feeling incredibly empty.

  ‘That girl on TV?’ Thomas asked. ‘Anne’s friend?’

  She nodded, the adrenalin reaching her brain and bringing out goose bumps on her upper arms. Leaning against her mother’s knees, Ellen gurgled.

  ‘How? How did she die?’

  Annika moved the child away, got up and got a change of perspective. The baggage cluttering her hall shrunk and disappeared; all that remained were her computer and her big bag. With a thud, Ellen flopped down on her behind and started to cry again. Thomas picked her up.

  ‘They’re already on their way over to pick me up,’ Annika said.

  For two seconds, Thomas stared at her uncomprehendingly.

  ‘The boat leaves at eleven,’ he told her.

  Annika took their daughter, carried her over to her crib and kissed the top of her head. The relief she felt at getting out of the visit to her in-laws and the island cottage was replaced by a sense of loss.

  ‘Oh, baby,’ she whispered into Ellen’s hair, ‘Mommy loves you so very much.’

  Not wanting to nap, Ellen resisted. Annika couldn’t make herself let go of the baby.

  ‘Mommy will be back later. You and your daddy and your big brother will be together, and you’ll have a great time. I know this is for the best.’

  The child turned her face away from the lie, tucked her legs in under her and put her thumb in her mouth. Annika stroked Ellen’s hair awkwardly, her hands and her heart suddenly lacking grace. She quickly left the bedroom, bumping into the doorpost on her way out. The soundtrack noise of Scooby Doo being chased by a ghost trickled in from the living room. Kalle’s sweet little singing voice was there, behind the wall of noise.

  Everyone else can do it, Annika thought. I can do it too, I have to.

  ‘Are you serious?’ Thomas demanded when she came back into the hall. ‘Are you really going to work? Right now?’

  The last words boomed loudly. She looked down at the wooden floorboards.

  ‘There isn’t anyone else. I’m on call, and you know how understaffed––’

  Red in the face, he leaned forward and shouted: ‘Come on! Fifty people are waiting for us out at Gällnö, and you’re not going?’

  The gamut of emotions ranging from panic to relief to loss passing through her now exploded into unexpected and unreasonable rage.

  ‘Waiting for you,’ Annika said, ‘not me. They couldn’t give a damn about me, and you know it.’

  Kalle came into the hall, the raised voices of his parents leaving him wide-eyed. He slipped into Annika’s arms, throwing his arms around her neck. His softness threatened to undo her.

  ‘You really are something else,’ Thomas said.

  ‘Don’t make it any worse,’ Annika said in a low voice while crouching down to embrace her son. ‘Go out to the island, party with your buddies and your brother and let the kids play, and everything will be just fine.’

  Her son nuzzled her ear.

  ‘Buddies? You make it sound like this was some kind of pleasure trip. Buddies! We’re talking about my parents and my aunts here.’

  Annika tore herself away from the warm embrace, kissed her three-year-old son on his velvety cheeks, and gazed up at Thomas.

  ‘What happens next is up to you,’ she said. ‘I’ll be here when you get back on Sunday.’

  She set the boy down, got up and pulled on her raincoat.

  ‘You can’t be serious,’ Thomas exclaimed. ‘You can’t leave me like this.’

  ‘There’s going to be so many people around that no one will miss me, not even the kids. Have a good time.’

  Annika put on her boots, slung her bag over her shoulder and picked up her laptop in its black case. Watching Thomas the whole time, her expression reserved.

  ‘Well, wasn’t this convenient,’ he remarked tersely.

  ‘It’s not like we haven’t discussed this,’ she countered. ‘It’s not easy for me. You know that I have no choice.’

  ‘A fine mother you are!’

  Annika blanched.

  ‘Do you think I like to do this?’ she asked him breathlessly. ‘That’s awfully unfair of you.’

  ‘This stinks,’ Thomas said, his back rigid and his face red. ‘I’m never going to forgive you for this. Damn you!’

  Annika blinked, at one level stung by his words, at another, untouched. The armour that protected her working persona had locked into place and made her impervious. Slowly, she turned around, hugged her son, whispered something into his ear and left.

  Bertil Strand had been assigned a new company car, another Saab, while she had been on maternity leave. Annika presumed that he was even fussier, if such a thing could be possible, about this car.

  ‘You sure took your sweet time,’ he said as she tossed her bag and her laptop in the backseat.

  The expression on the photographer’s face told her that she had shut the car door too hard.

  ‘What lousy weather,’ she murmured.

  ‘It’s Midsummer,’ Bertil Strand remarked. ‘What do you expect?’

  He shifted into first gear and left the bus stop right before the No. 62 bus pulled up. Annika’s mouth was dry as she wriggled out of her raincoat and clumsily fastened her seat belt.

  ‘Got those telegrams?’

  The photographer pointed at a thin stack of papers at her feet.

  ‘Seeing as our reporters are scattered halfway across the globe, this won’t be easy. We’re damn lucky that Wennergren was at the scene.’

  Annika bent over to pick up the papers and the seat belt she had just fastened kept her from reaching them. Irritated, she unbuckled it again.

  ‘Right,’ she said. ‘And just what do you mean by that? Am I invisibl
e even though I’m right here in the front seat beside you?’

  The photographer gave her a quick glance out of the corner of his eye.

  ‘It’s a crying shame we aren’t prepared to accommodate situations like this – poor planning and no forethought. Schyman ought to take charge instead of bickering with Torstensson. Put your seat belt on.’

  Annika didn’t have the energy to care about the power struggle between the managing editor and the editor-in-chief. She buckled up again, then closed her eyes and felt how the lack of power teamed with the longing for her children made her stomach churn. Her motherin-law would certainly have a field day. Poor Thomas – why did her son’s life have to fall apart? Annika forced herself to exhale, then she opened her eyes wide and focused on the news-agency printouts. The telegrams, all five of them, had been set at one-minute intervals. Flash 09:41 a.m.: TV journalist Michelle Carlsson dead. 09:42: Michelle Carlsson killed by a shot to the head. 09:43: Michelle Carlsson found in a mobile control room near Yxtaholm castle. A weapon was found next to the victim. 09:44: The police suspect that Michelle Carlsson was murdered. 09:45: Several individuals are being interviewed by the police with regard to the murder of Michelle Carlsson.

  ‘They were taping a series that was going to be aired next week,’ Bertil Strand said.

  ‘Summer Frolic at the Castle,’ Annika said. ‘My friend Anne Snapphane has been working on the production team since March …’

  She stopped talking and stared at the tracks of the raindrops on the side window, small streams that converged and diverged, relentlessly pressed back towards the rear until they smashed into the chrome strip of the car door. She remembered her friend’s rage and despair when Anne, after working for this production company for six years, was demoted from producer to researcher and studio hostess. This new position meant that Anne Snapphane would clean up the site after the shoot, take care of the taped material and file it, and do all the tiresome dirty work. This meant that she was probably still at the castle. Annika turned around and fished out her pen and her pad from her bag in the back seat.

  ‘Who are the suspects?’

  ‘I haven’t the vaguest,’ Bertil Strand replied and groaned.

  The Saab had reached the Essinge highway, Stockholm’s ridiculously undersized beltway which, naturally, was clogged with cars at a standstill.